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December 21, 2011
  • Istanbul Disaster Prevention and Education Centre
    Detail Online – news
    About 2,700 par­ti­ci­pants worked on their sub­mis­si­ons for the 12th Thys­sen­Krupp Ele­va­tor Ar­chi­tec­ture Award – in two mee­tings the jury made their de­ci­sion.
     
    The in­ter­na­tio­nal ar­chi­tec­ture com­p…
November 28, 2011
  • OMA/Paradox II
    How do you see yourself? How do you want others to see you? And how do others see you? In a packed Barbican Theatre Chris Dercon interviewed six of the seven OMA partners about OMA. Everyone on the stage, including the interviewer, did all they could to take the edge off the idea that OMA equals Rem Koolhaas, in what seemed like an attempt to cautiously prepare the world for a post-Koolhaas OMA.
    ArchiNed.nl – news

    Unas­ha­med cu­rio­sity com­pel­led me to pay £20 for a ti­cket to at­tend what was bil­led as the OMA Show & Tell: XL Ar­chi­tec­ture Night, a joint ap­pearance by all OMA part­ners in which they spoke in pu­blic about the or­ga­ni­sa­…

September 7, 2011
  • Architecture or your life
    The exhibition ‘Double or Nothing’ in Bozar (Brussels) presents the work of Belgian office 51N4E. In his opening lecture Peter Swinnen offered the architectural public insight into the business ethics of this successful design firm.
    ArchiNed.nl – news

    The work of 51N4E rai­ses ques­ti­ons. Ar­chi­tec­tu­ral theo­re­ti­ci­ans are racking their brains about whe­ther their work is an­ec­do­tal or sin­gu­lar.* It would deny all his­tory and re­fuse to adopt any po­si­tion. This con­fu­sion in the r…

February 14, 2011
  • The collective genius of Bureau B+B
    Since its establishment in 1977, Bureau B+B, a collective whose name still reminds us of its founders Riek Bakker and Ank Bleeker, can without exaggeration be called the key player in innovation and the launch pad for new talent in urbanism and landscape architecture in the Netherlands. It is therefore only right that the history, the output, and the significance of the office has been documented in a hefty monograph by Marinke Steenhuis.
    ArchiNed.nl – news

    Alt­hough it’s not­hing out of the or­di­nary today, the de­ci­sion of the two young land­scape ar­chi­tects Riek Bak­ker and Ank Blee­ker to open their own of­fice wasn’t such an ob­vious thing to do back in 1977. At that time, you could count th…

October 25, 2010
  • Jean Prouvé: Architecture
    Detail Online – news
    Untill 23 De­cem­ber 2010, the Ga­gosian Gal­lery in Paris  ex­hi­bits Jean Prouvé’s pre­fa­bri­ca­ted ar­chi­tec­tu­ral de­signs. The ex­hi­bi­tion will in­au­gu­rate the new pro­ject space on the se­cond floor of the gal­lery.
 

    Jean Prou­vé (…
October 6, 2010
  • Anthropologist among architects
    An anthropologist among architects: that’s the most accurate description of Dutch architect Anne Feenstra. It took some time before Feenstra showed buildings and designs during his talk at ARCAM on August 17. First came portraits of people because, so he argued, architects should never forget who they build for. Or as fellow architect Rene van Zuuk: 'a building without people is only a building'.
    ArchiNed.nl – news

    Be­fore lea­ving for Af­gha­nis­tan, Fe­en­s­tra worked as an ar­chi­tect at the of­fices of, among others, OMA and Will Asop. In 2003 he es­ta­blis­hed his stu­dio, AFIR Ar­chi­tects, with of­fices in Kabul and Khulm in the north. He teaches ar­c…

October 4, 2010
  • City Library Helmond
    Detail Online – news
    Like most Dutch cities Hel­mond is busy rein­vent­ing it­self. The new City Li­brary, which of­fi­cially opens in Oc­to­ber 2010, is the first com­po­nent of a com­pre­hen­sive new inner city shop­ping zone (mas­ter plan: Prof. Joan Bus­quet…
April 13, 2010
  • Zaandam Façade Festival
    It won’t have escaped anyone’s attention that the Intell Hotel in Zaandam opened recently. The cheerful stack of little Zaanse Schans houses by WAM architects looks so delirious that all the media, the main evening news included, jumped on it immediately. And that’s understandable, for the exuberant merriment of this design is, at a time dominated by sombre visions, more than welcome.
    ArchiNed.nl – news

    In a cul­ture such as ours, where even act­ing nor­mally can be con­sid­ered odd, the Za­anse Hotel is an ex­cep­tion. The only pre­vi­ous con­vinc­ing ex­am­ple of such a post­mod­ern col­lage of local mo­tifs in this coun­try was the Cir­cus The…

June 8, 2009
  • A closer look: the Copan in São Paulo
    Coffee is the first thing that springs to mind when I think of the Copan building. Espresso and fresh cheese rolls from the bar in one of the entrances were what you smelt as you entered the gigantic, undulating building by Oscar Niemeyer in the centre of São Paulo.
    ArchiNed.nl – news

    Ten years ago a cousin of mine lived there, a Dutch ar­chi­tect. She had made friends with the house­keeper, and through him she ac­quired an apart­ment in the com­plex. It was a two-room flat, two bays side by side con­sist­ing of a liv­ing room,…

March 25, 2009
  • ArchiNed revamped!
    At last, after a lengthy period of preparation: ArchiNed has been totally revamped and improved. It boasts a new, open and transparent graphic design, new features and new applications. But it’s still high-quality content, lively, critical and up-to-the-minute. NB: things may not work perfectly right from the start but they soon will.
    ArchiNed.nl – news

    A new spring, a new site. It may come as a shock to reg­u­lar read­ers that the ‘old-school’ black home­page – the hall­mark of ArchiNed for over twelve years – has been aban­doned to make way for an open and trans­par­ent de­sign. A pity maybe, b…

January 15, 2009
  • The envelope revisited
    For Alejandro Zaera Polo the building volume – the envelope – is currently the most relevant element of architecture because it best expresses the link between technology, representation and politics.
    ArchiNed.nl – news

    While the lec­ture that Ale­jan­dro Zaera Polo held in April 2008 es­sen­tially sig­nalled the start of his ex­am­i­na­tion of the re­la­tion be­tween build­ing vol­ume and pol­i­tics, he is now work­ing on a gen­eral the­ory about The En­ve­lope.…

September 25, 2008
  • Venice (2) the national pavilions
    Out There: Architecture Beyond Building is the motto of the 11th Venice Architecture Biennale. The national pavilions also make their contribution to this theme, which can be taken in a socially engaged or a more abstract and conceptual direction. Here are some striking pavilions selected by the ArchiNed editors.
    ArchiNed.nl – news

    Fla­grant Délit

    Amongst all the young, ex­per­i­men­tal, ac­tivist, ‘out there’ and ‘beyond’ of­fices in the Ital­ian pavil­ion in the Gi­a­r­dini (which in­cluded many Dutch con­trib­u­tors), a num­ber of old mas­ters have been in­c…

June 13, 2008
  • Holl and Steinbachová complete interior project in Prague
    Detail Online – news
    In col­la­bo­ra­tion with Czech ar­chi­tect Mar­cela Stein­ba­cho­vá (from Prague-based of­fice Sku­pina) Ste­ven Holl Ar­chi­tects has rea­li­zed the in­te­ri­ors for the Franz Kafka So­ciety in the centre of Prague’s for­mer Je­wish quar­ter. The 1…
  • Holl and Steinbachová complete interior project in Prague
    Detail Online – news
    In col­lab­o­ra­tion with Czech ar­chi­tect Marcela Stein­ba­chová (from Prague-based of­fice Skupina) Steven Holl Ar­chi­tects has re­al­ized the in­te­ri­ors for the Franz Kafka So­ci­ety in the cen­tre of Prague’s for­mer Jew­ish quar­ter.
    The…
October 24, 2007
  • Dynamic Colour-Space
    A section of the Groninger Museum is devoted to the exhibition 'P. Struycken: Digital Paradise'. Peter Struycken is present everywhere – in the exhibited work and in the interior. Famed for his way of working with colour, structure and form, the artist became interested in interdisciplinary collaboration at an early stage. In 1994 and 1999 he was commissioned by former director Frans Haks to design colour palettes for the interior of the new Groninger Museum building.
    ArchiNed.nl – news

    After study­ing at the Royal Acad­emy of Art in The Hague from 1956 to 1961, Peter Struy­cken (1939) painted in a fig­u­ra­tive style. He was fas­ci­nated by the dif­fer­ences and sim­i­lar­i­ties in vi­sual re­al­ity. A row of trees in­ter­ested …

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