This buil­ding is a spa­tial ex­pres­sion of an an­ci­ent sym­bol »S«. This is one of the basic sym­bols found in Hun­ga­rian folk art, but it can also be seen in count­less areas of Eu­ra­sia, pla­ces once in­ha­bi­ted by Celts and Scy­thi­ans. The structure's floor plan con­sists of two, sym­metri­cally pla­ced S sym­bols, lying along the east-west axis. The two sym­bols, while re­la­ted to one ano­ther, are re­pre­sen­ting the dy­na­mic ba­lance of op­po­si­tes as found in light/dark, male/female, Sun/Moon, in other words, the yin and yang. This is why the tower dis­plays the Moon and the Sun, and also why the angel of light­ness and the angel of dar­kness stand on eit­her side. The Chris­tian idea of the An­dro­gyn­ous Being, Jesus Christ, must be born out of these pairs of op­po­si­tes. His sta­tue the­re­fore stands in the centre, above the altar.