| period | description |
|---|---|
| 1925–1926 | planning and construction period |
The symmetrical strassenfront swings easily inward. The base like also the retaining wall, with which the sloping area must be intercepted, led across two floors, are visible living immuring work, over it is smoothly cleaned the wall. Behind the entrance - the right of the two doors, which links leads to the garage, is - lies only a small resounds. Here stairs set, which confine in, for ravine-like cut in the straight run at a lodger flat to the one-room flat of the house gentleman lead past. The Romanian writer and Dadaist Tristan Tzara, a ' life and language artist of fiery aliveness and attack desire ', stated at that time together with André Breton those Paris avant-garde, which took a prominent position in European the world of art and literature. Over the mansion Tzara came also Adolf Loos into this circle. Further construction contracts, which it could probably expect thereby, were missing however. One looked for its advice, could also drafts be drawn - like the American Joséphine Baker, which celebrated in the middle of the twenties with its ' revue Nègre ' on the Champs Elysées of triumphs; if it concerned however the realization, nevertheless French colleagues were preferred to it.


