Rem Koolhaas
Remment Koolhaas
Remment Koolhaas









| year | description | section | level |
|---|---|---|---|
| 2000 | Pritzker Price | ||
| 2003 | Praemium Imperiale | architecture | |
| 2004 | Gold medal, Royal Institute of British Architects (RIBA) |










Nothing is more fascinating to an architect and urban designer than a rapidly growing city. New buildings that continually transform the city‘s appearance, the changing lifestyle of inhabitants, the struggle to survive in the chaos we call the city. …
Gas pipe You can’t be clear enough when making a political statement at a circus like the biennale, as the tiny country of Estonia understands all too well. In response to controversial plans by Gazprom for a pipeline between Russia and Germany, cura…
In a packed Doelen theatre, and on a day when water levels reached their highest since 1953, NAi director Ole Bouman asked the cream of Dutch architecture whether the future of architecture is something beyond our control or something we can influenc…
The special edition of Volume was compiled on the occasion of the International Design Forum Dubai held last May. Al Manakh is divided into three sections. The first two focus on recent developments in the Gulf region. Entitled Dubai Guide and edited…
Architect Elia Zenghelis observed a fluctuation in the belief that holds the profession and its practitioners together. ‘We have now reached a point at which there are no longer any shared paradigms’, according to Zenghelis. Architects …
The various ways in which ‘time’ manifests itself in architecture was an important theme in modernism. After all, modernity was generally seen as an era marked by speed, technical innovations and continuous change. Architecture is often…
There is something about this artist from Berlin. His best-known work, the Weather Project at the Tate Modern – a shining sun that was occasionally obscured by mist – was repeatedly shown by various speakers during the Projective Landsc…
When the smelly and unhealthy mining industry disappeared from the Ruhrgebiet in the 1980s, the region was left to deal with heavily polluted land and high unemployment. The Internationale Bauaustelling (IBA) Emscher Park, which started in 1989, put …
The temporary pavilion on the grass in front of the Serpentine Gallery is an architecture exhibition of the 1:1 variety. It’s no representation in the form of drawings or models but a real building in which the architect’s intentions ca…
Given that Koolhaas thinks of the Berlage as his back garden, we weren't in for a real presentation but simply some 'collected material'. It began in very serious fashion. Who starts a lecture by showing a picture of the Parthenon? He does. It turned…
'Team 10 grew out of criticism within CIAM, as an irritating grain in an oyster', said Aldo van Eyck in 1991. Criticism was directed against what critics saw as the extreme functionalism of Le Corbusier, whom Team 10 members believed wanted to create…
More than five years ago - on January 26, 2000 to be exact - Simon Vinkenoog opened the congress 'New Babylon - The value of dreaming the city of tomorrow' held at the Faculty of Architecture in Delft University of Technology. For two days critics, h…
These and other questions were at stake at the international design seminar INDESEM, organised by the 'bouwkunde' student association Stylos annually, sometimes every two years. Eighty students took part, half of them Dutch and half of them from abro…
A diamond-shaped white concrete Casa da Música [CdM] slowly emerged in the most central roundabout of the local modern urbanity. From the very beginning, the process was politically and urban disturbed. This fact placed its construction, archite…