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Frank O[wen] Gehry

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  • news archive about «Frank O. Gehry»
 
July 19, 2008
  • Detail Online
    Kiesler-Price for Toyo Ito
    Detail Online – news
    On October 16th at 11 am Japanese architect Toyo Ito will be awarded the 6th Austrian Friedrich Kiesler Price for Architecture and Arts by Dr. Andreas Mailath-Pokorny, Viennese councilman for science and culture, at the senate conference room at the …
February 7, 2008
June 2, 2005
  • ArchiNed.nl
    Thin Line between being Radical and Naive
    Take one of the assigned plots in Antwerp, Belgium and create a design for the headquarters of the Flemish nationalist political party Vlaams Belang. Or draw a concept for it’s rather extreme Islamic opponent AEL (Arabic European League). How should architects operate in such political, ethnic or religious matters? Is there a role for them at all? Is architecture ‘neutral’ and only about aesthetics or is it acceptable that spaces and buildings propagate implicit or explicit messages? If so, to what extend? Maybe architects even can assist in bridging the gap between different ethnic and socio-political groups?
    ArchiNed.nl – news
    These and other questions were at stake at the international design seminar INDESEM, organised by the 'bouwkunde' student association Stylos annually, sometimes every two years. Eighty students took part, half of them Dutch and half of them from abro…
November 2, 2004
  • ArchiNed.nl
    A10 hits the mark
    Last week saw the launch of a new architecture magazine. A10 focuses on 'new European architecture' and will appear six times a year. The people behind the periodical are editor-in-chief Hans Ibelings and designer Arjan Groot.
    ArchiNed.nl – news
    When it comes to buying general-interest magazines, which usually happens spontaneously at a station kiosk, there are a few things that matter: the cover has to appeal, the format should be sound, and a quick flick through it should give the impressi…
April 2, 2000
  • ArchiNed.nl
    Architecture and Power
    ‘Instant City: The Rise of Dubai’ was the title of the first lecture at the Berlage Institute on Tuesday March 13 in a series that focuses on the relation between architecture, power and political correctness. The announcement promised that the evening would mostly be about social and economic inequalities in this rapidly growing desert city in the Persian Gulf. But alas this wasn’t the case, either in the introductions by Kees Christiaanse and George Katodrytis or in the succeeding discussion.
    ArchiNed.nl – news
    Roemer van Toorn introduced Dubai with a quote from the American writer Mike Davis. In his article ‘Fear and Money in Dubai’ (New Left Review, 2006), Davis writes that Dubai is one big gated community, a neo-liberal dream turned real in…
March 8, 2000
  • ArchiNed.nl
    Peter Greenaway and architecture
    Englishman Peter Greenaway is currently working for the Via>Dorkwerd festival: for the Groninger Museum he is designing the exhibition Hell and Heaven: the Middle Ages in the North, he has designed an exhibition pavilion, a number of so-called proscenium arches, and he is responsible for the pavilion's interior layout. ArchiNed spoke to Greenaway about his relationship with architecture.
    ArchiNed.nl – news
    Peter Greenaway (1942) is best known for such films as The Belly of an Architect, Drowning by Numbers, The Cook, The Thief, His Wife and Her Lover, and Pillow Book. In addition, he has worked on operas, he wrote the libretto for Writing to Vermeer, a…
March 7, 2000
  • ArchiNed.nl
    Greg Lynn recites from his own work
    Architects like to plan their use of time systematically. Le Corbusier divided his day into three parts - for painting, architecture and urban planning. Greg Lynn devotes 30% of his time to teaching, 30% to commercial commissions and 30% to research. No doubt it was during the remaining 10% that he wrote the sci-fi story he recited at the Berlage Institute. Jeroen Mensink reports.
    ArchiNed.nl – news
    Building ProcessThough even his complex forms cause many a mouth to drop open in wonderment, Greg Lynn's design method is every bit as interesting as the end result. In recent years, however, his pioneering work has shifted emphasis - spurred no doub…
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